Event Type : RSVP

Join us for an evening with The Gold Brothers!

***This event is free with RSVP. Seating will be subject to availability, on a first come first served basis.***

About The Gold Brothers:
Bastard Brothers bringin’ Gold Country Hits and the TRUE story behind ‘em! The Gold Brothers comprises of Eric Pulido and Joey McClellan (of Midlake), Matt Pence and Scott Danbom (of Centro-Matic) and Aaron McClellan (of Israel Nash).

Join us for an evening with Fin Ewing & The Wrong Direction featuring special guests!

***This event is free with RSVP. Seating will be subject to availability, on a first come first served basis.***

TIPS for the show:
— COME HUNGRY: We’ll have our full menu available all day!
— ARRIVE EARLY: Please note for all RSVP’s: all seating is first come, first served and based on availability.
— BRING CASH: we do accept credit cards at our main bars, but most pop up bars & beer tubs in Pat’s Backyard are cash only.
— RAIN OR SHINE 
— TICKETING QUESTIONS? Contact Prekindle Online Ticketing at www.prekindle.com.
— PARKING: There is limited parking at The Rustic.
— RIDE SHARING is strongly suggested. Don’t drink and drive
— YOUR SAFETY IS OUR TOP PRIORITY: The Rustic is operating at limited occupancy and adhering to all CDC and Dallas County guidelines and regulations to ensure your safety.

Join us Oct. 9 as we continue our Red River Weekend celebration with Man! I Feel Like A Woman. From Shania to LeAnn, we’re dedicating the night to our favorite Country Queens of the 90s with free live music by Taylor Nicks & Friends plus a 90s outfit contest.

***This event is free with RSVP. Seating will be subject to availability, on a first come first served basis.***

TIPS for the show:
— COME HUNGRY: We’ll have our full menu available all day!
— ARRIVE EARLY: Please note for all RSVP’s: all seating is first come, first served and based on availability.
— BRING CASH: we do accept credit cards at our main bars, but most pop up bars & beer tubs in Pat’s Backyard are cash only.
— RAIN OR SHINE 
— TICKETING QUESTIONS? Contact Prekindle Online Ticketing at www.prekindle.com.
— PARKING: There is limited parking at The Rustic.
— RIDE SHARING is strongly suggested. Don’t drink and drive
— YOUR SAFETY IS OUR TOP PRIORITY: The Rustic is operating at limited occupancy and adhering to all CDC and Dallas County guidelines and regulations to ensure your safety.

Join us for free live music from Buffalo Nichols!

About Buffalo Nichols

For all the moonlighting he’s done in other genres over the years, Carl Nichols always comes back to the blues. At various points in his career Nichols has played gospel (despite being an atheist), West African music (despite being born and raised in Milwaukee) and, as one half of the acclaimed folk duo Nickel & Rose, Americana (despite having some deep reservations about that genre’s long history of appropriating black music without always welcoming black musicians). None of those gigs, however, extinguished his desire to play the kind of traditional, acoustic blues he grew up admiring.

Maybe on some level he’s pathologically drawn to spaces where he’s an outsider. As a twentysomething black musician, Nichols is all too aware that the modern blues scene doesn’t look much like him, but he never outgrew his childhood love of the music. “It seemed cool to me when I was young,” he says. “You’d just hear people like Lightnin’ Hopkins or R.L. Burnside, and they just seemed cool. That’s why anybody gets into music, because it speaks to them.”

And it continues to speak to him, so much so that he’s tabled Nickel & Rose just as the duo was establishing itself as a major folk festival draw to pursue his dream of returning the blues to its songwriter roots. “I think a lot of what’s been lost in the blues since the early ’60s is the black experience, so I try to sing about that,” Nichols says. “I can’t escape racial realities, but I’m also aware that my audience is different than me, so the way they receive my message is different. I have this nostalgia for an era where blues musicians sang about their experiences to their own people, but that audience isn’t there now.”

It’s a challenge, he admits, but there’s power in crossing racial and generational divides. And on a personal level, he sees Buffalo Nichols as a form of justice for the music he’s always loved. “I want to redeem the blues after all the experiences I went through when I was younger,” he explains. “When I first started getting into the blues, my mom would take me to blues shows, and inevitably there’d be some old white guy there who would try to take me under his wing and explain ‘the rules’ of the blues to me. It chased me away.

“I always related to the blues,” Nichols concludes. “I grew up in abject poverty. I experienced racism. And when I would sit down with a blues record, I could hear that in the songs. Now I want to be that person that I never got to see on stage.”

Join us for free live music from Buffalo Nichols!

About Buffalo Nichols

For all the moonlighting he’s done in other genres over the years, Carl Nichols always comes back to the blues. At various points in his career Nichols has played gospel (despite being an atheist), West African music (despite being born and raised in Milwaukee) and, as one half of the acclaimed folk duo Nickel & Rose, Americana (despite having some deep reservations about that genre’s long history of appropriating black music without always welcoming black musicians). None of those gigs, however, extinguished his desire to play the kind of traditional, acoustic blues he grew up admiring.

Maybe on some level he’s pathologically drawn to spaces where he’s an outsider. As a twentysomething black musician, Nichols is all too aware that the modern blues scene doesn’t look much like him, but he never outgrew his childhood love of the music. “It seemed cool to me when I was young,” he says. “You’d just hear people like Lightnin’ Hopkins or R.L. Burnside, and they just seemed cool. That’s why anybody gets into music, because it speaks to them.”

And it continues to speak to him, so much so that he’s tabled Nickel & Rose just as the duo was establishing itself as a major folk festival draw to pursue his dream of returning the blues to its songwriter roots. “I think a lot of what’s been lost in the blues since the early ’60s is the black experience, so I try to sing about that,” Nichols says. “I can’t escape racial realities, but I’m also aware that my audience is different than me, so the way they receive my message is different. I have this nostalgia for an era where blues musicians sang about their experiences to their own people, but that audience isn’t there now.”

It’s a challenge, he admits, but there’s power in crossing racial and generational divides. And on a personal level, he sees Buffalo Nichols as a form of justice for the music he’s always loved. “I want to redeem the blues after all the experiences I went through when I was younger,” he explains. “When I first started getting into the blues, my mom would take me to blues shows, and inevitably there’d be some old white guy there who would try to take me under his wing and explain ‘the rules’ of the blues to me. It chased me away.

“I always related to the blues,” Nichols concludes. “I grew up in abject poverty. I experienced racism. And when I would sit down with a blues record, I could hear that in the songs. Now I want to be that person that I never got to see on stage.”