Designed to accommodate both large and intimate shows from local and national artists, The Rustic is an expansive indoor/outdoor restaurant and bar where guests can enjoy the best live music in Dallas in a relaxed, laid-back atmosphere. View our calendar below for upcoming shows and events. Would you like big announcements delivered directly to your inbox? Sign up for our MAILING LIST!
Where the Stars Shine
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Official Off The Rails Pre-party w/ Eli Young Band
May 4, 2017 @ 6:00 pm - 11:00 pm
AEG LIVE AND FREERANGE CONCEPTS PRESENTS – The Official Off The Rails Pre-Party Featuring Eli Young Band with Special Guest Elise Davis! – SOLD OUT!
VIP DOORS: 5:30 PM
GA DOORS: 6:00 PM
ELISE DAVIS: 7:30 PM
VIP TICKET HOLDERS INFO & ENTRY:
— VIP Entry through main entry doors of The Rustic (big glass doors). VIP doors are at 5:30pm.
— Reserved VIP area in lower inside dining area next to the stage.
— Private bar access in VIP area.
GENERAL ADMISSION ENTRY:
— Located to the left of the main entry doors of The Rustic. GA doors are at 6pm.
— Please follow the signs to the present your tickets to be scanned.
If you have any questions regarding ticketing, contact PreKindle Online Ticketing at prekindle.com.
TIPS for the show:
—PARTY PATIO – live music in the front yard starts at 6:00 pm.
— BRING CASH – we do accept credit cards at our main bars, but most pop up bars & beer tubs in Pat’s Backyard are cash only.
— FRONT YARD is for ticketed guests only.
— NO RE-ENTRY
— BLANKETS WELCOME: Bring your own blanket to sit in the grass.
— NO LAWN CHAIRS
— NO UMBRELLAS INSIDE VENUE
— RAIN OR SHINE
— TICKETING QUESTIONS? Contact PreKindle Online Ticketing at www.prekindle.com.
PARKING IS LIMITED – Please see parking map below. RIDE SHARING is strongly suggested:
— SELF-PARKING available onsite for $10 and at CityPlace
— VALET is $10, please follow the signs for dropoff/pickup at the corner of Cityplace W Blvd & Oak Grove Ave
— UBER: get $20 off your first ride using code “THERUSTIC”
— DART: take the red, yellow or blue line to Cityplace/Uptown
— M-LINE TROLLEY stop: Uptown
About Eli Young Band:
Somewhere in the midst of 10,000 towns, along a lonely highway between packing clubs in their native Texas years ago and more recently performing stadiums on one of country music’s hottest tours, the Eli Young Band became more than a band. They became a brotherhood. Camaraderie and creativity fused into an intoxicating cocktail that has propelled the talented foursome to the vanguard of contemporary country music.
With three No. 1 hits under their belt as well as a Grammy nomination and an Academy of Country Music Award for Song of the Year for their hit “Crazy Girl,” the Eli Young Band approached their second Republic Nashville album, 10,000 Towns, with a sense of confidence and purpose. “We were genuinely excited about making this new record,” says bassist Jon Jones. “People talk about the sophomore record being really tough to make and in a lot of ways this felt like our sophomore record even though it’s technically our fifth record as a band.”
“We learned over the progression of those records our strong points in the studio, and we were confident,” adds drummer Chris Thompson, “We knew what we wanted and how to get what we wanted.”
It’s been a long, steady rise for Jones, Thompson, lead vocalist Mike Eli and guitarist James Young, but the same four musicians have been together from the start and are now reaping the rewards. They began performing together in 2000 while attending North Texas State University, and honed their skills on the Lone Star state’s competitive music circuit by building a rabid fan base who appreciated their potent live shows and the edgy, passionate indie albums that preceded their major label ascension.
With the 2011 release of their Republic Nashville debut, Life at Best, the Eli Young Band scored their first No. 1 hit with “Crazy Girl.” The double platinum single became the # 1 most played country song of the year on Billboard’s 2011 year end chart and earned them the ACM Award for Song of the Year. The band’s next single, “Even If It Breaks Your Heart,” became their second No. 1 and was certified platinum. It earned the band Grammy nods for Best Duo/Group Performance and for Best Country Song as well as Single of the Year and Song of the Year nominations from both the CMA and ACM.
After years of paying dues and gaining experience, the Eli Young Band is at the top of their game. While they started playing in tiny clubs, they’ve graduated to packing out theatres and mid-size venues as a headliner. Their road dog reputation helped them to earn an opening slot playing stadiums on the Kenny Chesney tour. All those miles on the road and visits to 10,000 towns coalesce to make their new album the band’s strongest effort yet. “At this point in our personal lives and in our career, we’re all in really good places,” Thompson says. “We’re all happy in our personal lives, so it shows on this record; it’s fun.”
“This record was a lot more upbeat than our previous records,” agrees Young. “We really wanted to record songs that are going to be fun to play live and fun for our fans watching the show. We were thinking about our live show and how these songs are going to translate on the set list. That was a priority in our minds too when we chose songs for this record. We’ve also learned to really follow our gut when it comes to songs and song choices. We’ve always had a good sense of what songs are going to work on the record and which ones aren’t.”
Their meticulous approach to writing and finding the very best songs for the new album paid off quickly
as the lead single, “Drunk Last Night,” became the band’s third No. 1 hit. “We loved that song from the
first 30 seconds of hearing it,” Eli says of the Josh Osborne/Laura Veltz penned song. “With that title, you read it and you think it’s going to be a certain type of song and then you hear the song and it’s not what
you thought it would be at all. The songwriters, Josh and Laura, did a really good job of messing with our brains. People were drawn to the idea that it’s not the same ole same ole drinking song. That was intriguing. They did well, hitting you with two hooky choruses, that’s a tricky thing to write. That’s what drew me as a singer to the song.”
In recording 10,000 Towns, the Eli Young Band gathered songs from Music Row’s top writers, including Craig Wiseman, David Lee Murphy, Jon Randall and Will Hoge, and the band also penned half the songs on the album themselves. “It gets challenging when you’re touring so much to sit down and actually try to write, but we spent a lot of time in 2013 just trying to write however we could,” says Young.
“It was fun for us because the four of us all sat down and wrote for this record which was a great experience,” says Eli. “All four of us are on ‘Prayer For The Road,’ ‘Traces’ and ‘Revelations.’ John and James were co-writers on ‘Dust’ while I was co-writer on ‘Angel Like You.’ ‘What Does’ was John, James and I and ‘Last Broken Heart’ was the same. We’ve never had a song on a record where all four of us were songwriters until this album.”
The second single, “Dust,” was the #1 most added song on the chart the first week with a massive 62 stations on board. The song is a rock-tinged number about a girl leaving small town life behind and taking charge of her future. “I feel like I’ve read so much recently about the girls being seen as weak in country music in the way that they are portrayed,” says Jones. “I really love this song because I call it ‘a big girl power song.’ All four of us are married to very strong women who allow us to go out and do what we do and we couldn’t do it without them.”
On 10,000 Towns, the Eli Young Band delivers a diverse collection of songs that explores the complexities of relationships such as the bluesy cheating song “Revelations” and the heartbreaking “What Does,” a poignant examination of a failed relationship. Yet there are several tunes that just revel in the simple pleasures that bring joy to the journey, among them “Just Add Moonlight” and “Let’s Do Something Tonight.” “A Prayer for the Road” is a tender tribute to the love of their families and the prayerful support that goes with them every mile.
There have been many miles over the years for the Eli Young Band and that’s why 10,000 Towns felt like the right title for their new effort. “There’s a general theme between small town America where every town is different, but in some ways, they are the same,” says Young. “We felt like the title encapsulated the best years of us driving all over the country playing music.”
Eli agrees. “We’ve traveled all over the country and to other countries, but at the end of the day we all party the same way no matter what the culture or the town,” he says. “To us, ‘10,000 Towns’ is a great way to sum up this record in that way as well as who we are. We love traveling around the country and seeing all that and being a band of road dogs.”
The Eli Young Band has worked hard to get to this point and is enjoying their current success the same way they earned it—TOGETHER. “We’ve surpassed the friend mark now and it’s more like brothers. It’s really kind of a blood bond between the four of us,” Jones says. “We set out to do this as a career and made the commitment to each other a long time ago and here we are 14 years later. None of us can imagine doing anything else.”
About Elise Davis:
Vulnerability and carnal desire go head-to-head on Elise Davis’ The Token releasing September 9 on Make The Kill Records & Thirty Tigers.
Story and storyteller are one and the same. “I really can’t express my vulnerable feelings – especially towards men I’ve had feelings about over the years,” Elise confesses, “But, I have no trouble writing down painfully honest lyrics about it.”
The Token puts a microscope on the southern dynamic between the sexes, and the Little Rock, AR native’s inner turmoil, founded on her life’s trajectory against a more traditional path. Elation and ache play a tug-of-war.
The Token is a rare piece of art born of risk and actually sounding like a risk that paid off. Elise Davis is putting her human condition in the forefront for all to hear; The Token delivers an unrelenting living contradiction, one born of her past while wrestling with the present.